The Devil Rides Out is a story of Satanic worship in upper class 1930s Britain.
Wheatley was a very prolific writer, and Devil is drawn from his Modern Musketeers strand. The titular musketeers are 4 friends – the elderly French exile De Richelau, the American adventurer Rex van Ryn, family man Richard and supernaturally curious Simon.
The characters are colourful but not that complex. Going back to the original Three Musketeers, Aramis wasn’t that good a fighter, and was waiting for his opportunity to join the priesthood; one of the others had a secret past that was slowly unveiled. They’re surprising and contradictory in ways that draw you in, make you want to learn more about them. In addition, there’s not much in the way of inner desires – D’Artagnan wanted to prove himself, Aramis to reconcile his womanising and desire to become a priest, but there’s not much of that here.
Having said that, the characters are easy to tell apart, ‘iconic’ and recognisable in their own ways, but lack depth and interesting contradictions within their characters.
The Devil Rides Out has no real mystery, though clearly by design – within about three or four chapters
Action stories (film, television or prose) tend to have action and mystery, a chain of dramatic events, each leading to the next, but also a mystery. Who’s involved, what are they doing, how deep does it go. There’s none of that here – you can tell from early on roughly how it would end, and who’d be involved in the climax.
The magic, black and white (or ‘right hand’ and ‘left hand’ paths) feels real – it goes beyond the stereotypical trappings of magic – eye of newt and so on – and feels like a system of magic that could have grown up over time, that has it’s internal consistencies that make sense on their own terms.
The Devil Rides Out is a ‘smart’ action adventure – the antithesis of something Michael Bay would produce.
The characters share a love of food – there’s beautiful descriptions of various meals, and the four Modern Musketeers seem to regard taking a light evening meal free from meat (something to do with sharpening the mind for the use of white magic) as a kind of torture. At one point, two characters are searching through a mansion trying to rescue a third. They may or may not be alone, and magic has been performed recently, but stop to make themselves sandwiches from the buffet they left. It threw me at first, but it’s the kind of strangeness that adds detail and quirk to the characters
There’s not enough tension or mystery to make the story as compelling as I’d like it to be. It’s a bit hard to put my finger on the problem – the action moves pretty fast, the ‘rules’ of magic are believable, and the characters were interesting enough to make me care about them. But I didn’t feel the kind of compulsion to race back to the book in the same way I did with Reacher and The Hunger Games – it’s almost a matter of being worried that the protagonists will be okay, but with Devil, I didn’t feel for them.
Writing this review made me think about rules particular to the action genre. I’m a fan of the Jack Reacher books, and I’ve this year read the first two Hunger Games books. In The Hunger Games, it’s obvious the main character isn’t going to die in the middle of the book (partially as she’s the narrator) but there’s always the belief that other, well-developed and likeable characters will die, and horrifically.
With the Modern Musketeers being in a series of books, it feels a little like when watching an ongoing TV programme – they won’t kill him, he’s a main character – and they won’t change dramatically over the course of the story either.
The Devil Rides Out is over-written compared to them, and slows the speed of the action. It’s fine for Dickens to spend time describing the appearance of a person or building, but in an action novel, the story needs to move more swiftly than Devil does.
Each chapter with a cliffhanger, and I think they were pretty much all interesting ones, there is still a lot to enjoy here. Despite how it may seem above, I enjoyed the book, but I wasn’t totally gripped by it.
The Devil Rides Out is a derring do/boy’s own adventure, fantastical and escapist, and while darkness and the possibility of failure would go against the point of what the writer wanted to achieve, the lack of real danger stops it from being a page turner.
Verdict: A well-written, well thought out action adventure, but which lacks mystery or tension.