I really enjoyed Star Trek: Discovery‘s opening two-parter, which had its premiere date on CBS and Netflix this week. One of the things that really impressed me was how the story interacted with the pre-existing Star Trek mythos. Discovery didn’t just reference familiar terms, but engaged with the key themes of the franchise, and possibly connected itself to some relatively obscure characters and moments. You can consider this blog post as the Discovery equivalent to Game of Thrones writing that explores Jon Snow’s parentage and what it potentially means for the show, but I’m mainly writing to indulge my geekiness.
Firstly, a brief explanation of how everything in the Star Trek multiverse fits together. The Original Series – Kirk, Spock and McCoy on the Enterprise’s five year mission – was set during the 2260s, and ran for three series. The Animated Series continued this mission, but it’s unclear whether all aspects of TAS are considered canonical. The first six Star Trek films are set between the 2270s and 2290s. The Next Generation – Picard, Worf and Data – begins in the 2360s. The events of The Next Generation, Deep Space Nine, Voyager and the four TNG films take place in a 17 year period between the 2360s and 2370s. Enterprise, although produced after TNG, DS9 and VOY, was set a century before Kirk, in the 2150s – in the years immediately before the formation of the United Federation of Planets in 2161.
The Romulan Nero later travels back in time from 2387 to 2233, destroying the USS Kelvin, and establishing the Kelvin-timeline, which is the basis for the trio of films starring Chris Pine and Zachary Quinto as Kirk and Spock, set in the 2250s and 2260s.
Discovery‘s first episodes take place in 2256, a few years before TOS. The style of Discovery‘s ships appears more similar to the Kelvin-timeline than the TOS ships of the same era, but it’s set in the Prime-timeline.
The novels are not considered canonical, though they are often mined for the most interesting bits, which later make their way into episodes and films. Hikaru Sulu’s first name originates in the 1981 novel The Entropy Effect, and some aspects of Andorian culture used in Enterprise were taken from novels.