Black Panther is both a commercial and critical success, currently sitting at the top of the US weekly movie charts, and set to become the most financially successful Marvel Cinematic Universe movie. I’d argue that Black Panther sits alongside Star Trek, Star Wars, Battlestar Galactica and the Culture novels as a great example of middlebrow science fiction – accessible and fun but smart enough that it offers more than just spectacle. Here are the reasons why.
This is an entry for the Insecure Writers’ Support Group, a way for writers to discuss their writing anxieties. Writers who take part in IWSG write about our writing anxieties and check in on each others’ posts on the first Wednesday of each month.
At the weekend’s Oscars Jordan Peele won the award for Best Original Screenplay for Get Out. A racially charged horror-comedy was a brave choice for the subject of only his second feature film script, and Peele admitted in his acceptance speech that he stopped writing it around twenty times. It’s interesting that even someone as experienced and successful as Jordan Peele could have this kind of loss of faith – for those who aren’t familiar with his work, Jordan Peele is half of the hit sketch duo Key and Peele, and had been writing sketch comedy for MADtv since 2003.
This is an entry for the Insecure Writers’ Support Group, which cross-posts on each others’ blogs on the first Wednesday of each month.
Being a perfectionist, ambitious, and having flickering self-confidence is not a great combination.
At times I feel that I’ve stumbled across a great idea, an idea for a novel or other form of fiction which no-one else is writing, and turning it into a major hit is just a matter of putting it down on paper. Unfortunately, turning a vague idea into a practical reality is a little trickier than that.
Lately I’ve been putting a bit of thought into the role names serve in fiction, about how they give a first impression of a character, place or culture.
One of the Star Trek franchise’s major alien races are the Ferengi, who began as accidentally comical characters in The Next Generation, developing into overtly comic characters who played a major part in Deep Space Nine. I was surprised to encounter a variation of the word ‘feringhee’ several years after first hearing it in Star Trek, in George MacDonald Fraser’s Flashman, set in 19th century India. The alien species’ name came from a derogatory word used by Indians for foreigners, apparently particularly directed at white foreigners.
Production staff on the show have confirmed that this was the genesis of the word, with producer Robert Hewitt Wolfe stating that “Ferengi is, after all, the Persian word for foreigner, particularly for European.”
It’s difficult to work out the reasoning behind making this choice (particularly as not many of the target audience, in 1980s America, probably would have been aware of the meaning of the word) but it was a conscious choice to reference this meaning.
This is my entry for July’s Insecure Writers’ Support Group, a monthly ‘blog hop’ with the intent of giving each other feedback and encouragement. The full list of participants can be found at the Insecure Writers’ home site.
Yesterday I published a satirical blog post, titled A Modest Proposal for Dealing With the Muslim Problem and Relieving Tension Between the Races of the Earth. You may recognise the format (of the title and the prose) as being drawn from Jonathan Swift, but there’s still the risk of what I wrote being taken at face value.
A trope, essentially, is an idea or concept – whether that’s a joke, a situation or a plot twist – that’s recognisable as something that’s been used elsewhere.
The reason I’ve started doing this series is that, although tropes are often interpreted as clichés, it’s possible to breathe new life into familiar ideas, whether by using them in a fresh way or subverting them.
Tropes are, in a basic sense, the building blocks of stories. These can be character archetypes (Rogue Cop, Magical Negro); plot devices (The Catch-22 Dilemma, Ticking Bomb); types of joke (Inside Joke, Call-Back). More or less anything that goes into a story.